tracks a8, b1 alto saxophone Marshall Royal
tracks a1 to a7, b2, b3, b6 to b9 band Que Martin's Orchestra
tracks a8, b1 band Red Callender Sextet
tracks b4, b5 band The Maxwell Davis Orchestra
tracks a8, b1 baritone saxophone Floyd Turnham
tracks b4, b5 baritone saxophone Jewell Grant
tracks a1, a3 bass Jimmy Wilson
tracks b4, b5 bass Ralph Hamilton
tracks a8, b1 bass Red Callender
design [sleeve] Lasse Ermalm
tracks a1 to a7, b2, b3, b6 to b9 drums Charlie Gordon
tracks a8, b1 drums Chico Hamilton
tracks b4, b5 drums Jessie Sailes
tracks a3 flute Que Martin
tracks b6 to b9 guitar [possibly] Gene Phillips
tracks b4, b5 guitar [possibly] Jessie Irvine
lacquer cut by Olle Ramm
liner notes Charlie Lange
mastered by Gunnar Lööf
tracks a6 organ King Solomon
tracks a8 piano Eddie Beal
tracks b4, b5 piano J.D. Nicholson
tracks a2, a4 to a7, b2, b3, b6 to b9 piano King Solomon
tracks a1, a3 piano Tommy Kahn
tracks b1 piano Willard McDaniel
producer [album production] Charlie Lange
producer [album production] Mr R&B
tracks a8, b1 tenor saxophone Maxwell Davis
tracks b4, b5 tenor saxophone Maxwell Davis
tracks a1 to a7, b2, b3, b6 to b8 tenor saxophone Que Martin
tracks a8 violin Papa John Creach
vocals Harry Caesar
tracks a7 vocals [female, probably] Margaret Russell
tracks a1, a5 vocals [female] Margaret Russell
Record Company Mr R&B Records
Mastered At EMI Studio, Sweden
Lacquer Cut At Cutting Room
Recording info
Tracks A1 to A6. San Francisco, circa July, 1952
Tracks A7, B2, B3. Los Angeles, circa July, 1952
Tracks A8, B1. Los Angeles, 1952
Tracks B6 to B9. Los Angeles, circa June, 1953
Tracks B4, B5. Los Angeles, circa October, 1953

Runouts are etched.
Rights Society: nⒸb
Matrix / Runout: KIX 24 A OR/CR (Runout side A)
Matrix / Runout: KIX 24 B OR/CR (Runout side B)