composed by, producer [score] Bear McCreary
conductor Richard Hein
contractor [orchestra] James Fitzpatrick
coordinator [scoring] Kaiyun Wong
design [package] Brian Porizek
engineer [assistant] Michal Hradiský
engineer [assistant] Ryan Walsh
legal [music business & legal affairs for back lot music] Tanya Perara
management [executive in charge of music for back lot music] Michael Knobloch
management [scoring manager] Joanna Pane
mastered by Patricia Sullivan
mixed by Steve Kaplan
mixed by [additional] Allan Hessler
mixed by [additional] Ryan Sanchez
music by [additional] Jason Akers
music by [additional] Omer Ben-Zvi
music by [additional] Sam Ewing
music by [additional] Zachary Lucia
music consultant Edward Trybek
music consultant Jonathan R. Beard
musical assistance [assistant to composer] Marisa Gunzenhauser
musical assistance [scoring assistants] Andrew Harris
musical assistance [scoring assistants] Andrew Ransom
musical assistance [scoring assistants] David Matics
orchestrated by Benjamin Hoff
orchestrated by Jamie Thierman
orchestrated by Sean Barrett
performer The City of Prague Philharmonic Orchestra
producer [album] Bear McCreary
producer [album] Joe Augustine
producer [score] Steve Kaplan
production manager [director of production & marketing for back lot music] Nikki Walsh
recorded by Vít Král
score editor Michael Baber
supervised by [music] Andrea Von Foerster
translated by [scoring session] Stanja Vomackova
vocals [baby] Sonatine Yarbrough McCreary
Phonographic Copyright (p) Back Lot Music
Copyright (c) Universal Studios
Phonographic Copyright (p) Universal Studios
Copyright (c) Back Lot Music
Published By Universal Pictures Music
Recorded At Smecky Music Studios
Mastered At Bernie Grundman Mastering
Total Album Time - 44:16